Piercing the Veil of Stone Pricing - What is the Square foot Price!

The mystery surrounding the pricing of marble, granite, quartzite and other natural stone finishes can be frustrating for buyers.  Prices are rarely listed.  If they are listed, they’re incomplete or different than published. WHY!

While it is not possible to provide all the pricing here, I will share insight into what drives the cost, from an importer/fabricator/installer’s point of view.

1.  Stone 

The square foot price of raw material is only one of many components of a complete quote for any project.

It helps to think of stone as a commodity on the open market.   Gold, Silver, US Dollars, Brazilian Reals, Euros, Rupees, Yuan, wheat, corn, and potatoes… These commodities fluctuate in price minute to minute, day by day, year over year, based on supply and demand.  The same goes for stone.

There are thousands of natural stone quarries scattered throughout the world.  Most of the stones our customers prefer, come from Italy, Brazil, India, Sweden, Botswana, Canada, Greece, Turkey and Nimibia.  All of these countries determine their own pricing, customs/duties, that fluctuate based on supply and demand.

Currently Saudi Arabia and other wealthy foreign countries, corporations and people, are buying  Calacatta Gold, Calacatta Borghini and many of the same colors that are also in high demand in the USA.

While these materials are not traded at the CBOT or the New York Stock Exchange, they are traded in our tiny industry. Honesty and respect, haggling, finesse, language skills, international experience and knowledge of who is who, is valuable.

Currency markets also affect prices.  The Euro goes up, prices go up. The Dollar goes up, prices go down.

War, strife, geopolitics and human flow. – These things all have bearing on international trade.  – We are all connected and pay for each other’s challenges, and successes, via pricing for raw materials.

2.      Quarries

There are thousands of stones suitable for countertops and other interior finishes.  Each one has a variable price, a unique story and a colorful history.

a.      Condition of the quarry – Some quarries are high up on the peak of a mountain.

b.      Some are underground beneath meters of dirt and gravel.

c.      Others are in remote areas, far from civilization.

d.      Some have snow cover for half the year and are only open for a few months at a time.

e.      Many are in caves that fill with water and shut down for periods of time.

f.       Quarries are often hit or miss.  Geographers are paid to interpret the land and locate stone beneath the earth by studying maps, flying over potential sites or walking ground that looks promising.
Sometimes quarries have up to 95% waste and limited successful production. Others are bonanzas like bUa tuba, Absolute black and Carrara White

g.     Still others change from a stunning color that everyone wants, to another color that might take time to be appreciated, or just fades away. 

h.      And others start solid and perfect for counters, and then change to cracked and impossible to use – and so disappear forever. 

Quarries are a risky business.

3.      Transport - From All reaches of Earth to your Home

– During Covid, transportation costs sextupled.  Why?  Lack of workers, Oil prices, Price gouging.  At this time, prices are still at 2 to 3 times what they were in 2019. Other transport factors include:

a.      Trucking blocks from quarry to slabbing facilities. Distance/Road quality/ Traffic

b.      Trucking from slabbing facilities to shipping ports . “

c.       Transport from port to inland locations either by train or truck – usually both

d.      The prices of oil affects these modes of transport

e.      Crating must be designed to prevent damage over long distances over water and land. This is usually done with wood, an expensive commodity in some countries like Italy, where trees are scarce.

f.       Most shipments arrive intact, but some damage and loss is inevitable over the long run.

g.      The USA requires all wood entering the country be treated for parasites and sometimes fumigates crates at the owner’s expense.

h.      Payment of USA Customs and duties are required for all stones entering the country before release to the importer. Each type of stone carries a different customs percentage cost that must be factored into the total cost. Governments change. Duties change. Prices change.

4.      Fabrication

a.      Stone is cut with diamonds and water and expensive heavy machinery.  While we recycle our water, diamonds are our best friend – but they cost.  The harder the stone the more diamonds and time are needed to cut it.  Quartzite is harder than granite. Granite is harder than quartz.  Marble is harder than limestone.  It takes three passes to cut quartzite=3 times the amount of time, diamonds and water.

b.      Fabrication entails knowing the inherent flaws of every stone.  The more decorative the stone, generally, the more flaws.  Heavily veined stones usually require some level of work, especially reinforcement either on the surface, inside, or both. Recoloring vein fill is also an art that cannot be rushed. Touch ups are inevitable.

c.      Stone is purchased by the slab, that comes from a block.  Slabs of natural stone are all different sizes. So when determining how many slabs a project requires the slab sizes must be taken into consideration.

d.      Aesthetics – Full slabs that catch a customer’s eye look beautiful.  But consideration must be given to the aesthetics of the final installment after the slabs are cut up.  Sometimes another slab is required to achieve a cohesive look, even though there is enough square footage from one slab, in theory. Other times finding the right vein connections takes time and struggle to achieve the beauty the customer expects. You can’t cut randomly.  Aesthetics are key.

e.      Waste – sometimes a customer has to buy two slabs when they only need 1-1/2 This drives the price up.  At Blue Pearl we only charge for the part of the slab that is cut. But keep in mind, if we have to source from a local supplier we charge for the number of slabs that we have to purchase.  If we have another use for the leftover we discount outsourced materials. Sometimes customers find a use for their remainders. On the other hand, costs of labor to fabricate and install, are based on delivered square footage only, not full slabs.

f.       Other items that add to the cost include:  special edging, radiuses, miters, back polishing, anchoring, changing the finish, cutouts for sinks, outlets, and time intensive labor items like fireplaces, integrated sinks, and trim work.

g.      Bottom line – Every stone and every project is an individual in and unto itself.

5.      Installation

a.      When calculating cost of labor we have to know how many people will be required to lift 100, 200, 800, 1000 lbs and put a piece into place.  Sometimes that can mean up to 8 or 10 people, + any special equipment or added time for parking, distance, and elevator usage.

b.      How many trips will it take to transport all of the pieces? Will everything be ready for us to measure on the same day? When a project includes a kitchen, multiple bathrooms, a fireplace and other work, we normally assume not everything will be ready for installation on the same day.  How many stairs up or down?  Can we turn a tight corner or do we have to add a seam or lift through a window. All important considerations.

c.      Stone is one of the last materials to be installed in construction. Stone follows cabinetry , drywall and sometimes paint and wallpaper – don’t scratch any walls!  By the time projects are ready for us to measure, workers may have gotten raises, price of oil may change, material prices might change.  Delays are inevitable. Larger projects can take many months or even more than year before they are ready for stone. And stone companies are expected to perform immediately to help make up for lost time.  Overtime is a given.

The stone industry is a unique luxury niche of the construction industry.  It is constantly affected by world forces, local design aesthetics, and tight building schedules.  The best companies in the industry know how to navigate international markets, to hire and keep expert employees,  to find and deliver the best materials, how to communicate in various languages, as well as how to be creative, savvy, and efficient with time.  These are just a few of the things that affect cost and price.  There are many more.  Every stone has a unique story, a beauty, a flaw, as do all of us who work in the industry. 

Question:  What is the square foot price of a stone, you ask?  Answer: It depends.   But I hope this helps you appreciate that a good answer requires more information, in order to get the best price, and insure the best outcome for your project.

Respectfully,

T. Fister – Owner- Blue Pearl Stone

Marble - Queen of Stone

More refined than granite, more delicate than quartzite, marble commands the highest respect of architects, artists and designers around the world. It’s fresh translucence, pure whites and organic movement provide maximum luxury to create a sublime finish for any project.

Marble has been the most revered building material for over 30 centuries, and continues to adapt to all of today’s traditional and contemporary architecture.

Technically Speaking

Marble is a metamorphic stone made of calcium carbonate. It forms in volcanic areas where sedimentary limestones (coral, shells and fossils from the sea bottom) are ‘cooked’ via rising bubbles of molten granite. The extreme heat melts the limestone, while intense pressure prevents it from decomposing. As it cools, it recrystallizes into marble. Organic materials in rain and flood water penetrate through marble to create unique veins and markings.

More Than Skin Deep

Even though marble is a beautiful finish option, there are other reasons why marble is selected over other stones. Marble is one of the longest-lasting, and highest value-retaining finishes in the world.

Though, it can be expensive, marble countertops and decorative finishes essentially pay for themselves. If well maintained and properly cared for, marble countertops, fireplaces and art walls provide real luxury in residences, offices and public buildings. Marble comes in a variety of natural colors that complement almost any design.

Marble is high maintenance. Although this can be off-putting, one should want to maintain its beauty. There are methods you can use to protect your marble to keep it looking great. However, If you find your marble is not looking its best, and need assistance, you can always have it professionally refinished to achieve its original look. The beauty of the stone is always there, not just on the surface, 100% through and through. It can always be restored.

Do the right thing.

The first step to protect and maintain marble is to properly seal it, and seal it often. You’ll also want to choose your cleaning products carefully. It’s best to clean your marble countertops with gentle dish detergent or stone cleaner, and a warm damp soft cloth . Avoid harsh chemicals such as bleach or vinegar, that will roughen the surface finish. There is no need to scrub hard. Use coasters for drinks, and cutting boards for acidic foods. Use trivets to prevent spillage from hot cookware and spillage.

If you have any questions, talk with us at Blue Pearl Stone. We have stock and access to an extensive selection of marble from around the world. Utilize the assistance of our team members to select and enjoy the right marble for your project. Enjoy the supreme beauty of marble in your home today!

The Pantheon - 1415 years old

What is Dolomite?

Fantasy Brown Dolomite

What is Dolomite?

Dolomite is a sedimentary stone, which means it was formed on the surface of the earth, as opposed to granite, for example, which is formed in magma chambers under the earthʼs surface. It can be found in abundance all over the world (as is the case in the Dolomite Alps in Italy) in sedimentary basins —which are warm, shallow, marine areas where calcium carbonate mud accumulates in the form of shell debris, coral fragments, and carbonate precipitates.

Up until that point, it undergoes the same formation as limestone, but to become dolomite, the calcite in carbonate mud must be modified by magnesium-rich groundwater, facilitating the conversion of calcite into dolomite, volume for volume. This chemical process is known as dolomitization.

The dolomite mineral grains often show distinct faces, are of more or less uniform size throughout, and are larger than the calcite crystals in the limestone.

How does Dolomite compare to other stones?

Dolomite matches the exquisite look of marble while being harder, making it a popular stone for countertops. The somber pastel colors make it an elegant solution for a kitchen, bathroom, accent wall.

Popular Dolomites: Fantasy Brown, Super White and Mystery White/Rhino White, Oyster/Dover

Dolomite Care

Daily

Dolomite, like other natural stones, should be cleaned with mild soaps or special stone cleaners. Usually, just wiping off the dirt with a wet sponge is sufficient for daily maintenance.

You can prevent stains caused by red wine or oils by establishing a few good practices, such as using cutting boards, coasters, and wiping off spills right away. Acidic liquids like citrus fruits, vinegars, and tomatoes can etch the dolomite when left for too long, yet this is invisible on honed or leathered surfaces. In terms of performance, itʼs good to think of dolomite as a harder form of marble.

Long term

It is recommended to seal your dolomite countertops when needed (similar to a carpet cleaning, you will notice when itʼs time). The sealer can prevent staining by penetrating and filling the pores just underneath the surface of the stone, prolonging the absorption of liquids to give you more time to wipe off the spills. However, the sealer cannot shield off etching.

-Teresa

Super White Dolomite

Seams

Let’s face it-no one likes seams: not installers, not contractors, not designers, not customers. But the reality of the situation is that there are limitations due to slab sizes and countertop layouts that make seams unavoidable most of the time.

 In the past, kitchens did not have huge, long runs because even a kitchen in a larger house was usually just food prep and cooking of the meals and done by household staff. There were no huge islands with waterfalls, big U-shaped kitchens used for entertaining or two dishwashers, a beverage cooler and a microwave drawer and a double oven and…you get my drift.

Today’s modern kitchens create the necessity for seams and the location is dependent on several factors: the grain or veining of the material, location of sink, cooktop and/or dishwasher, and slab sizes. Whatever the limitations, we always strive to minimize seams, and put them in a place that lines up with a cabinet element, or another sight line in the kitchen.

Most natural stones have some kind of grain or patten. They can sometimes be directional and create the need for seams so the veining all runs in the same direction. This is not always easily done and can necessitate additional slabs on a project.

The locations of the sink, cooktop and/or dishwasher are crucial in the layout of slabs and seams because we never put seams over dishwasher openings or through sink openings. This is due to the possibility of the seams separating, lack of support and the epoxy used to close and hide the seam possibly cracking. We do however, put seams through cooktop openings because they are short seams (2 to 3 inches in the front and back) and are the least intrusive to your eye.

We also do not put seams on the diagonal in corners because, first of all, the seam is longer than when itis on a straight 90 degree angle to the tops, and second of all, because they never, ever line up tight and we like to minimize the seam width to 1/16” or less.

I mentioned the epoxy earlier and this is a crucial part to any seam finishing. The epoxy is a two part epoxy and hardener that allows the technicians the time to effectively work the seam and create an “invisible” seam before the epoxy loses its workability. The epoxy also comes with a coloring kit that allows the technicians the ability to color the epoxy to match the material. This is a very important part of the process and if you do not have a tech who can see and match color, it doesn’t matter how tight the seam is. We also use a hydraulic vacuum tool that pulls the pieces together and holds until the epoxy is set. This creates a nice straight, paper thin line at the seam.

The upshot is, no one likes seams, but sometimes, they just can’t be avoided and a good field technician can make all the difference!

Waterfalls

In the countertop and design world, a waterfall isn’t (usually) a reference to the natural water feature. It is the term used for when stone (or whatever material is on a counter) flows over the edge and runs down to the ground, typically at the end of a run or short side of an island. It can be used on smaller details, too, though like a shower wall, or similar.  

This has become an increasingly popular design feature in the countertop world. Whether at one end of an island or both ends of an island to the same on a vanity and even just an open end to a counter run, this is used on, at least, 50% of the projects we do. It is a very sleek and clean look, which over the past 10 years has been the general design trend. Rounded shapes are making a come back, so we will see how waterfalls incorporate into this trend.

One of the reasons they are so popular is that they highlight every material. Even a pure white quartz is elevated using a waterfall, as it creates a contemporary flourish. If you are using a more veined material, the beauty of it is even more visible, as the pattern of the stone continues and careens onto the waterfall edge, featuring as a vertical show piece.

A waterfall edge is usually done with a mitered cut which makes it look like one seamless piece. Many times our customers will also build up the thickness of the tops using a mitered edges, so this built up edge continues down the waterfall. It is very striking and creates a distinct design feature that will probably be used for many decades, even with changing trends.

Waterfall edges are a great addition to any project and provide a creative and unique feature for your home.

Overhangs

A question we get asked a lot is “How much overhang should we have”? Believe it or not, this is one of the most individualistic aspects of a countertop project and there is often no right answer.

The old standard used to be 1 ½” from the inside of a raised panel cabinet and 1” on a flat front or flat end of a cabinet run. For seating at an island the standard overhang was 12”, mostly because the rule of thumb for overhang without supports was a 2:1 ratio. Most people want to maximize the overhang so on a 24” standard kitchen cabinet, the overhang was 12”.

Today all the old rules are out the window. We now see 1/8” overhang for an extremely contemporary look to 2” from a panel face to create more counter space. And we have seen everything in between. This is a testament to the flexible nature of designing and construction. If you have a designer or builder, they may an opinion on what they think looks or functions best.

On an island overhang the 2:1 ratio still applies but with the addition of legs, panels, and/or sub tops the overhang can be almost anything you can think of in your mind, assuming the space allows for it. For example, when the area around the island is tight we see as little as 9” or 10” depending on the walkway space. Most contractors/architects/designers like the walkway openings to be at least 36”.

If you don’t know where to start with your overhangs, use the standard (1 ½” or 1” depending on your cabinet face style). It is a good thing to think about before the field measure, as this information is very important for the process and for producing accurate drawings. This is another reason why having everything in place for the measure is critical.

If you have any further questions about overhangs, do not hesitate to ask Blue Pearl!

Lagrange Eats

American Pie 

Although most of us who work at Blue Pearl Stone live in the city, I’d like to share a few of the quality spots for dine-in and take-out here in the city of LaGrange, Illinois.  Curiously, LaGrange has over 35 restaurants.   

First, LaGrange was settled in 1830, and currently has 16,000 residents. It is located on the Burlington Northern Train line, at Manheim (Lagrange) Road, where the road that splits the east and west sides of town. 

Our craftsmen take a formal lunch at 10:30 am, with lunch of homemade fare. On the other hand, the showroom staff rarely have time for a true lunch break and do not bring food from home. So, we often order out and nibble our way through the afternoon.

Here are a few of my personal favorite eating establishments in LaGrange: 

1. Aracely’s and Starbucks - For breakfast Alma and I usually stop at Starbucks and/or Aracely’s Bakery (Mexican tamales and sweetbreads to go). Both open at 5 am. We’re usually there by 6:30 am, after working out.  If they opened earlier, we would regularly go to Owl and Lark – a true organic fresh squeezed juice and coffee bar, with lots of healthy food options like avocado toast with arugula, pickled radish and olive oil, as well as smoothie bowls and green drinks. 

2. Palmer’s Place - Palmer’s has been a main stay in town for decades (In the 60’s it was called The Spot to Eat) - I like their Wild Caught Salmon Caesar Salad.  They will deliver if you ask nicely, and have a marvelous two level outdoor/tented bier garden in the back, with parking to boot. They are also known for their retro Red Cream Soda, onion soup, and varied burger selections. 

3. WOOW – Is a sit-down pan-Asian restaurant chain with fresh, well prepared plates including my three favorites: sweet potato roll, miso soup, and, crunchy small salad with sweet ginger dressing. 

4. Thipi Thai – For the full Thai experience visit Thipi Thai.  Dishes are medium sized but rich, and not spicy, unless you ask.  They have two tastefully decorated upscale, semi formal Thai- style dining rooms with mood lighting, and a bar and TV.

5. The Elm – The Elm is a new contemporary bar and restaurant by The Spains.  Their Risotto is all I ever order.  It tastes very similar to the risotto I enjoyed while living in Italy.  They also have an upstairs outdoor Bar, where one can have a meal, sip a drink and enjoy live music, while looking out over the prairie town to the West. 

6. Lucca’s - For Pizza there are more than 15 options, including Lucca’s, Aurelio’s, Ledo’s and many others. 

7. Prasino - On Saturdays, if we work half a day, we might splurge and go for brunch at Prasino. Prasino offers organic options, juices, breakfast, vegetable dishes and sides, as well as full lunch, brunch and dinner size plates of contemporary offerings. There is a nice hum of locals inside and out on the sidewalk tables on the weekends.

8. Buckle Down Brewery - I must mention the Buckle Down Brewery. (technically not in LaGrange, but nearby). I pass Buckle Down everyday going to and from work.  Although I am not a beer person, some of the guys (Ken) like to stop in for the creative craft beer selections.  I see it always bustling with patrons. Looks like a great craft beer hangout. Dogs are welcome.

So never fear, if you decide to venture out to Blue Pearl Stone, in LaGrange, you will have no problem finding a great place for bite and a drink to complete your journey.

Be sure to ask us if you are looking for other restaurant recommendations. 

Teresa 

QUARTZITE - The Newest Darling in the Stone industry

By Teresa Fister

I am not a geologist, but as the owner of Blue Pearl, I like to know the composition of the natural stones we offer, in order to help customers select the right materials for their projects. You have probably heard many contradicting things about quartzite and its properties. Because it is a natural stone, not all slabs react the same way, and thus the information surrounding quartzite can be very confusing. At Blue Pearl we can direct you to which quartzites will fit your lifestyle and which won’t. 

So, what is quartzite?  

Quartzite is a highly sought-after superstar of natural stone. Aesthetically it has veining more akin to marble, but is much harder, and typically isn’t bright white. It is found in or around ancient beaches, seas, and oceans, in places like Brazil, Western Africa and Australia. It starts as sand.  

From caterpillar to butterfly

Over thousands of years, sand is compressed into sandstone, a small grain-textured sedimentary stone.  Sandstone is then converted into quartzite through heating and pressurizing over many more thousands of years. Extreme pressure and heat of tectonic movement submerges the stone deeper and deeper into the earth where it liquifies and fuses. Its structure changes into larger crystals that no longer resemble the sand it once was.

Depending on how deep the stone has plunged and what organic matter has been cooked into it, determines how it looks aesthetically.  

Backlit Iceberg

Blush Iceberg

Iceberg Vivid Leather

One of the oldest and most crystalized quartzites is Cristallo, also known as Iceberg, found in Brazil. Cristallo can range from an off-white color with warm toned veins, to almost pure (warm) white, to pink or even green black or combinations of all. No matter the color, all Cristallo slabs have translucent parts, and can be backlit.  

Other older quartzites are Taj Mahal, Perla Bianca, Mother of Pearl, Cashmere, Nero Diamante, Blue Bahia and Michelangelo. Younger quartzites include Aria, Luxe White, Macauba, Blue Roma, and Tahiti.  

Taj Mahal

White Luxe

Aria

Giotto

The Mohs hardness value of quartzite is in the 7’s, making it harder than any other decorative or architectural natural stone, although non-organic material in the veins may be softer. This is why even within a slab, durability can differ.  

Older quartzite is often more watertight, whereas younger quartzites may have areas that are not fully crystalized and therefore contain microscopic air pockets that can trap water inside. Hence, the conflicting information on durability. For this reason, it is critical to have a trusted fabricator guide you through the process of selecting your quartzite with transparency and expertise, to give you the information you need to make a confident selection for your project.

TEMPLATING: The Beginning And End of a Successful Countertop Installation

By Ken Redding

Templating and measuring cabinets, existing countertops, and walls, is one of the most crucial parts of any countertop installation. It is the first link in the chain of events, and front-end preparation and education on the end users’ part is how it all begins.

The best-case scenario for measuring accurately and successfully is for the old countertops to have been removed and all walls, surfaces, and appliances that interact with the counters are available to be measured. Many times, a thing as simple as cabinet panel can shift the entire measurement. It is critical that all elements be in place for the field measurement. Appliances can be an exception, but a specification sheet for those items is necessary at the time of measuring.

The most current technology used for measuring is a laser system. It utilizes a laser and markers that create points and, ultimately, a digital drawing of the dimensions of the countertop. In the old days physical templates were made with cardboard, plastic, sticks and hot glue and various other methods. These were good, but not perfect, and oftentimes came apart or were not marked correctly. This resulted in less than accurate countertops, which the customer and installer both were not happy with, to say the least. The laser system is the most accurate method thus far and offers the least possibility for error. For me as the templator, it has eliminated mistakes and creates an easier installation in the field. Most importantly, it leaves the customer with a complete and successful project.

Some of the regular questions I ask and need answered at the measure are:

·What sink are you using for the project? Are you reusing your old sink or do you have a new sink?  At time of measure the sink template or actual sink is taken back to the shop for fabrication.

·Is the cooktop here or is there a new one? Do you have the spec sheet for the cooktop and/or the range?

·How much overhang do you want? There are standard overhangs, but they can be any size the customer wants, depending on slab or remnant size limitations.

·Is there extra overhang for seating at the island or peninsula?

·What is the edge detail being used?  

·At the range, do you want a tight fit or do you want to leave room on the side?

·For the sink cutout: do you want the flange exposed, the counter to come to the inside edge of the sink, or go past the inside edge of the sink?

and various other questions based on the different unique characteristics of any given project.

I have been doing this for 33 years and still see new conditions every week! This is why it is crucial that someone with decision-making capabilities is present at the measure (this could be the homeowner, designer, builder, etc.). As you can see, there are lots of things to consider, and communication is key at the point of measure.

So, to summarize: remove the old counters if possible, and if not, clean the counters off completely, make sure your dog is put away, have someone ready to answer questions, and be ready for a beautiful and precise countertop installation!

Universal Design in River North

Katy and Brad are recent empty nesters who traded in their house in the suburbs for a new life in the River North neighborhood of Chicago. Downsizing and choosing a new home is tricky, but this couple had the additional obstacle of finding a place suitable for Brad’s unique needs. At the age of 40, Brad became unexpectedly disabled, losing his hands and feet. At home, he uses an electric wheelchair and needs accessible showers. However, Katy and Brad did not want to settle for everyday metal grab bars and plastic shower seats in their search. Instead they envisioned a contemporary, urban loft that did not feel like an institution.

Blue Pearl Stone collaborated with John Kelly Architects and Designer, Page Redding to develop such a design for this challenging and rewarding project. 

The newly renovated unit is located on the fourth floor of a converted factory building, complete with floor-to-ceiling views of the historic Merchandise Mart. The Mart’s façade provides a backdrop of weathered limestone and terracotta that serve as inspiration for matte-finished Artisan Grey quartz and honed Calacatta Apuano marble in the kitchen and living areas.

Merging industrial concrete elements with elegant waves of milky white, grey, and taupe veined marble, the condo pays homage to its landmark surroundings, while distinguishing itself as a contemporary, yet warm and comfortable home. The table height bar and eating area, ADA compliant cabinets and stainless sink all allow easy access, while integrating a gracious corner marble bookmatched backsplash, shelves and lighting. In other words, the home is Universal, yet sacrifices nothing in its aesthetic.

“Our condo does not look like it was made for someone who uses a wheelchair,” said Katy. “It flows, and there’s room to move. This is the heart of Universal Design. It works for everybody.”

Take for example, the Master Bath. The walk-in shower, mitered sculptural bench, and floating vanities make it feel like a luxurious spa. But all these elements serve as important functions for Brad’s freedom of movement. The minimalist design of the low-maintenance Royal Blanc quartz shelving and ledges provide storage and accessibility and provide contrast to the high-durability Nero Erte porcelain floor tile. Each element complements another and works hard in both design and universality. 

Universal Design inspires new inclusiveness in design and architecture to address individualized needs for comfort, style and harmony for all.

Kitchen Interior with quartz counters and marble full high splashes.

Bi-level Kitchen Bars in marble and quartz

Shower Area with Sculptural Quartz Bench, elongated Powder Subway Brick, Hexagon Penny Rounds and Nero Erte Floor Tile.

Master Bath Overview with Royal Blanc Quartz Counters, Columns, and Accessories, with Nero Erte Matte Porcelain Tile

Marble, Quartz and Tile by Blue Pearl Stone Photography by Tony Soluri

New Arrivals- February 2018

Blue Pearl Stone's Newest Arrivals. Come in today and view them in person!

Taj Mahal Quartzite, 4 cm

Taj Mahal Quartzite, 3 cm

Calacatta Quartzite, 4 cm

Calacatta Statuario Marble, 3 cm

Carrara Marble, 2 cm

Cashmere Quartzite, 3 cm

Dolce Ivorio Quartzite, 3 cm

Giotto Quartzite, 3 cm

Nero Marquina Marble, 3 cm

Emerald Soapstone, 3 cm

Iceberg Sublime, 2 cm

Iceberg Vivid, 3 cm

Infiniti Quartzite, 3 cm

Mystery White Marble, 3 cm

Naica Quartzite, 3 cm

Statuario Marble, 3 cm

Princess White Quartzite, 3 cm

Quartz vs Quartzite - Another Take.

By Ken Redding

Quartz and Quartzite: How they are Different and Why One Might be Better for You than the Other.

In the niche artisan countertop industry the trend has gone away from granite for Kitchens and moved toward other materials, including marble.  Marble countertops in a kitchen environment, while stunningly beautiful, present their own special challenges and will not be part of this discussion. I am going to address the differences (and similarities) between Quartz and Quartzite for Kitchen countertops.

The first obvious difference between the two is that Quartz is a man-made materials and Quartzite is a natural material. There are many varieties of each.

Quartz is made with a matrix of about 90% to 95% crushed natural quartz, pigment, and epoxy binder, and placed in a rectangular form (like concrete), to create slabs that replicate the look and size of natural stone slabs (avg size 120" X 60"). Because they can be pigmented, there is the opportunity for very light colors, including solid colors, and a large range of  single neutral tones which, historically,  whichare not available in granite. They are hard (7 on the Mohs scale) as well as scratch and stain resistant. The main advantage, maintenance-wise, is that Quartz countertops never have to be sealed.

Quartzite is a natural metamorphic stone formed from sandstone (sand).  Quartzite's tend to be neutral in color, (whites, grays, ivory, beige etc.), but have a natural movement in them due to the metamorphic process. They also tend to look more like marble but are extremely hard (7-8 on the Mohs scale). While harder or as hard as Quartz, and very scratch and stain resistant, quartzites are not all the same, and should still be sealed for insurance. This should be done every 1-2 years.

From a design stand point, the use of Quartz or Quartzite is a much more personal choice.  Do you require a solid, neutral color to compliment other materials, surfaces, and colors in your kitchen design? Do you have young children or a teenager that are less likely to clean up after themselves when they spill something?  Do you want something that requires no maintenance except for day to day cleaning? Do you want something that has a manufactured pattern and/or veining that simulates marble? (Quartz faux marbles have made giant steps in this area) Then Quartz is probably for you.

On the other hand, do you want something unique that will be the dramatic centerpiece of your Kitchen while still being practical for maintenance?  Do you want something that has the beauty of marble but is the hardest material available for countertops? Do you require a light colored veined material focal point to brighten up or compliment another solid color material in a transitional or contemporary design?  Then Quartzite may be exactly what you require.

Quartz and Quartzite are both excellent materials for kitchen countertops.  Contact Blue Pearl Stone to select an option that best suits your needs.  - Ken Redding

Blue Pearl Wins grand Prize National Award

Orlando, FL

LaGrange, Illinois based company, Blue Pearl Stone has been awarded the coveted Coverings Grand Prize Award for Natural Stone Residential Installation.

The Coverings Installation and Design (CID) Awards celebrate outstanding achievements in the design and installation of tile and stone in both residential and commercial projects. 

For almost thirty years, Coverings has been the most prominent event for the ceramic tile and natural stone industry in North America.

Blue Pearl Stone is a fabricator and installer of natural stone, quartz, recycled glass and other decorative, sustainable surfaces. It services the Interior Design, Architecture, and Builder community as well as Property Owners and Managers.  BP Stone features a large outdoor gallery, indoor showroom and manufacturing facility on its one acre site in LaGrange, IL.